Intermediale 2018
16.11-17.11.2018 | LEGNICA
Events
16.11.2018, 19:00, Legnickie Centrum Kultury
Class A (PL)
Class A consists of Daniel Osiatycki (CHAOS CTRL) and Wojciech Benicewicz (White Nerve Connection, Inire, The Embrional Position). The musicians have been known each other for a long time, but now, after many years, they have met to combine their musical experiences into a minimalistic synthetic sounds collage, sprinkled with spices from voices, field recordings, the electronic avant-garde and their own research of recent years.
SPIRITI Danilo Casti, Dalila Kayros (IT)
Project was created in January 2018 by Danilo Casti (electronics) and Dalila Kayros (voice) as part of the residency at the SPRITEN contemporary art gallery in Skien, Norway. The composition is journey towards expressive vocalities, electronic sounds and live electronics. The voices are continuously fragmented, multiplied and granularized, organized and decontructed aiming to evoke ”living harmonic spectra’’. Spirits of remote reminiscence move as remnants of an emotional memory full of life. Sound movements are released in the air, far echoes are evoked by granular voices. Fragmented memories. Fragmented sounds
Telharmonium (PL)
Telharmonium is a multi-layered audiovisual construction for voices, images and electroacoustic instruments. This is the effect of intense charging from an audiosfera. The state created somewhere between recalling sound memories and creating sonic imaginations. Between the train clackety-clack, the hustle of the airport and the creaking floor, where human voices speak out loud its genuine thoughts. Silence is a categorical mistake. Everything is happening everywhere. Each has its own history and free will to be heard.
Events
17.11.2018, 19:00, Legnickie Centrum Kultury
Rhetoric Conversation (PL)
Produces sound that is mainly based on instruments made with digital and analog modular systems. Sonorism and a large emphasis on sound, the use of contrasts and varied dynamics, combined with the knowledge that the sound is largely generated by the machines, creates a specific latourian aleatorism, where the performer’s intention, along with what comes from nonhuman factors in music, solidifies and introduces the audiosphere of the future.
BANG-UTOT (PL)
George D. Stanciulescu (RO) solo project by George D. Stanciulescu, a Romanian composer and producer who, as a doctor of digital music philosophy, combines research and artistic aspects in his activities. Blypken is the result of his fascination with neuroaesthetics. Formally, it is a work on the boundaries of the arthouse dance sound, revealing a deconstructed blend of club music, industrial, ambient and experimental electronics. Blypken’s first performance, The Fetishamanic Maze, premiered in May 2017 at the Live Performers Meeting in Amsterdam’s RADION. Blypken has performed at festivals in the Netherlands, UK, Austria, Germany, Ireland, France, Spain and Switzerland.
BLYPKEN (RO)
George D. Stanciulescu (RO) solo project by George D. Stanciulescu, a Romanian composer and producer who, as a doctor of digital music philosophy, combines research and artistic aspects in his activities. Blypken is the result of his fascination with neuroaesthetics. Formally, it is a work on the boundaries of the arthouse dance sound, revealing a deconstructed blend of club music, industrial, ambient and experimental electronics. Blypken’s first performance, The Fetishamanic Maze, premiered in May 2017 at the Live Performers Meeting in Amsterdam’s RADION. Blypken has performed at festivals in the Netherlands, UK, Austria, Germany, Ireland, France, Spain and Switzerland.
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